SAAWCA’s Critics Mentorship Programme 2013

The recipients of SAAWCA’s Critics Mentorship Programme 2013 are Sakhiziwe Gcina and Murray Kruger. Gcina is a third-year student in Film and Media at the University of Cape Town and he will be mentored by Matthew Krouse, the arts editor at the Mail & Guardian.

“Being an arts journalist, critic and media professional is challenging and demanding. The field is fiercely competitive and dynamic. Given these pressures one has to be not only passionate about art journalism, but should be exposed to these stresses in the media industry early in their training,” observed Gcina.

Kruger is an artist and curator, completing his masters in Fine Arts at Wits University.  He will be mentored by Mary Corrigall, the Books Editor and Senior Feature Writer at the Sunday Independent.

“My primary interest is to look deeper into the implied relationships between performance and these respective modes of production, ideally laying the foundation for a workable multi-modal practice that does not privilege one of these particular disciplines. I see this 2013 Critics Mentorship Programme as a structured context within which to return to arts writing.”

After spending the month of June under the guidance of Krouse and Corrigall, Gcina and Kruger will travel to the National Arts Festival where they will write and publish reports on the festival. This is the second year that the Critics Mentorship Programme has been running. This year it has been funded by the Goethe-Institut. This support has allowed the programme to be expanded to include two candidates.

The programme was initiated by Corrigall, the head and founder of SAAWCA, in an attempt to encourage and nurture new arts writers and critics.

Call for Critics/Writers Mentorship Programme 2013

The  South African Arts Writers and Critics Association is pleased to announce a call for applications for the 2013 Critics Mentorship Programme. With the support of the Goethe-Institut this year the programme has been expanded and will offer two individuals an opportunity to be mentored by established critics/writers.

How does it work? Participants will spend a month under the guidance of a mentor before attending the National Arts Festival, where they will be expected to write reviews, interviews and features, which will be published in local, national or niche publications.

The mentorship period beings June 4 and exposes the participants to the working life of a critic/writer which would include attending arts related events, conducting interviews and engaging in research activities with the mentor, as well as spending time at the offices of a mainstream print publication.  In this way the participant will gain insight into the general running of a media organisation. During this period the mentor will set a number of writing assignments for the participant. They will be given detailed feedback for each assignment and if the standard of the work is high, these assignments may be considered for publication.

Who should apply? Young freelance arts writers/bloggers who are struggling to get a foothold in the industry. Any aspiring or young/new arts writer, critic with an aptitude for, and or, experience in writing, cultivated through university studies, a journalism course or any other writing workshop. Applicants must be knowledgeable about one discipline of the arts and have an interest in another. This is not a full-time programme but the participants will need to be available during weekday hours and evenings to attend events, complete writing assignments and observe the workings of a newspaper.  The participant will also be required to travel to Grahamstown for the festival – travel and accommodation costs will be covered by the programme and they will be given a stipend.

At this time the mentorship programme will only be available to Joburg based participants. Those who already have experience in arts writing and criticism will be given preference. Ultimately we are looking to provide guidance to an individual who has already shown talent in arts writing but requires a close level of mentorship to develop their work further. 

Criteria: A participant will be selected based on the strength of his/her writing abilities and knowledge or affinity for the arts and their grasp on journalistic conventions. Short listed candidates may have to produce a short review to secure a place on the programme.

Deadline:  May 13, 2013.  Please send a copy of your CV, a short letter of motivation outlining which discipline or disciplines of the arts you are interested in, as well as two examples of arts writing. Please title your mail: Mentorship programme application. Send your applications or any queries to mary@plotbeep.co.za or criticsassoc@gmail.com

Ethics & Arts Journalism: discussion topic at SAAWCA meeting

South African Arts Writers and Critics Association (SAAWCA) will be holding a meeting in Joburg in November. This year it will include an invigorating debate regarding ethics and arts journalism followed by a networking session, allowing for the discussion to evolve more informally and give an opportunity for young or aspiring critics to meet our established members. Anyone with a vested interested in arts writing is welcome to attend. 

Date: November 10

Venue: Theatre on the Square, Sandton, Nelson Mandela Square, Johannesburg

Time: 11am to 2pm

Topic: Are arts media sponsorship deals compromising arts journalism?

Panellists:  Anton Harber (professor of Journalism at Wits) will join Matthew Krouse (Arts Editor, Mail and Guardian), Georgina Thompson (director Dance Umbrella, Dance Forum), Michelle Constant (head of BASA, journalist), Adrienne Sichel (Independent Arts Writer) Edward Tsumele (Editor CityLife)

Please RSVP: criticsassoc@gmail.com

Discussion: More and more arts institutions are entering into deals with publications/ newspapers/media groups as a way of guaranteeing the promotion and coverage of their events. In some instances money exchanges hands in the form of advertising, in other instances both organisations enter into an agreement whereby the publication offers coverage in exchange for the marketing their brand at a particular event or through the advertising and promotion of it. Because objectivity in arts reporting is seen as less important than say in hard news, few questions have been raised around the ethics of these deals, and more importantly the impact they may have on the impartiality and quality of the reporting and whose work or event receives coverage.

Here are few pertinent questions that this discussion needs to address

Is the media/editorial for sale? What impact could this have on how the public and arts community view arts journalism?

Is it an even playing field when only arts organisations with money or affiliations to institutions with funds are given space/coverage in newspapers or other arts publications? What of those that don’t have any financial clout?

Do arts journalists feel free to critically appraise an arts event produced by an organisation that their publication has entered into a deal?

Should an institution be able to end a media sponsorship deal because of unfavourable comments in the coverage they secured?

Why are publications entering into these deals; are limited budgets and the pressure to sustain arts journalism contributing towards this phenomenon?

How does this impact on the arts? These deals may help grow audiences but does it educate them? What of artists and performers who depend on impartial critical arts writing to grow their practice?

If this has become an essential part of arts journalism, are there different ways that we could conceive of these agreements so as to minimise their impact on the quality of arts journalism? In other words should the terms of these agreements be renegotiated, should there be a set of rules in place?

In the digital sphere these deals manifest in slightly different ways, perhaps more pervasive ways where the online publication is solely reliant on sponsorship from arts institutions or establishments to survive. What kind of relationships are these and how are they impacting on whose events, works are covered and how they are covered?

SAAWCA Critics Mentorship Programme 2012

We are pleased to announce that the recipient of SAAWCA’s inaugural Critics Mentorship Programme 2012 is Same Mdluli, a twenty-nine-year old PHD art history student from Wits University, who is keen to explore the journalistic realm. Mdluli believes that “art criticism has to adapt and follow current trends including the influences of social media and technological advances.”

Mdluli was selected by SAAWCA board members; Bruce Dennill, Edward Tsumele and Mary Corrigall. Corrigall will serve as a mentor for Mdluli at The Sunday Independent newspaper. Mdluli will travel to the National Arts Festival, where she will write reviews on visuals arts and film productions.

SAAWCA received a really good number of applications and the applicants were all quite strong.  It is encouraging to learn that there are so many young talented people eager to become arts writers. It reinforces our need to increase platforms for arts writing.  SAAWCA must find a way to support all of these young people, as our industry could benefit from the influx of a new generation of critics.

The SAAWCA Critics Mentorship Programme 2012 was made possible by a grant from the Arts & Culture Trust’s (ACT) Development Programme, which is funded by Nedbank Arts Affinity. It has been designed to enhance the continued development of arts and culture in South Africa.

SAAWCA would also like to thank Ismail Mahomed, the director of the National Arts Festival, who has funded one of our young-up-and-coming members, Mpho Moshe Matheolane, to travel to Grahamstown to attend the festival.

SAAWCA at UJ/ACT Arts & Culture conference

The UJ/ACT Arts and Culture conference takes place this week in Johannesburg and SAAWCA head and founder, Mary Corrigall, will be making a presentation during the first afternoon session on May 24 at the UJ Arts Centre.

In a panel dubbed State of the Sectors, she will join key representatives from the realms of theatre, music, dance and film who will present sector over-views. That we have cinched a spot on this slot is a great coup as it immediately identifies arts writing as a sector and one which falls under the arts and not just journalism. This should have significant impact on how the arts industry views us and will also aid how we can shape and enhance our role in the arts.

Criticism in Print

The internet might be turning our once transient products into permanent texts, yet it’s always rewarding to see a critic or commentator’s work being published in book form. SAAWCA member Chris Thurman is launching just such a book. It’s dubbed At Large: Reviewing the Arts in South Africa. The launch will include a panel discussion that forms part of the Wale festival at Wits University. If you are in Joburg don’t miss it.  Here are the details:

Date: Wednesday 9 May
Time: 18h30-19h30
Venue: Pentz Bookshop
Convener: Dr Chris Thurman
Panel discussion and public debate around the “why, what and how” of arts writing in South Africa.

Call for Critics Mentorship Programme 2012

Since the inception of SAAWCA we have been committed to attracting new writers to the arts writing and criticism sector.  The inaugural Critics Mentorship Programme 2012 is the first initiative in service of this objective and is made possible by a grant from the Arts & Culture Trust (ACT). The Development Programme is funded by Nedbank Arts Affinity and has been

designed to enhance the continued development of arts and culture in South Africa.

How does it work? The Mentorship Programme will see one individual spend a month under the guidance of a mentor before attending the National Arts Festival from 29 June to 8 July, where they will be expected to write reviews and interviews, which will be published either in the Cue Newspaper and/or in other national publications.

This mentorship period beings June 4 and would involve being exposed to the working life of a critic, which would include attending arts related events, interviews and other research activities with the mentor, as well as spending time at the offices of newspapers, and being exposed to the general running of a media organisation. During this period the mentor will set a number of writing assignments for the participant. They will be given detailed feedback for each assignment and if the standard of the work is high, these assignments may be considered for publication.

Who should apply? Any aspiring or young/new arts writer, critic with some basic experience in writing, either at university or through a journalism course or any other writing workshop or with a background in the arts. It is not a full-time programme but the participant will need to be available during some weekday hours.  The participant will also be required to travel to Grahamstown for the festival – travel and accommodation costs will be covered by SAAWCA. At this time the mentorship programme will only be available to Joburg based participants. Those who already have experience in arts writing and criticism will be considered. Ultimately we are looking to provide guidance to an individual who has already shown talent in arts writing but requires a close level of mentorship to develop their work further.  The participant will receive a substantial stipend.  

Criteria: A participant will be selected based on the strength of his/her writing abilities and knowledge or affinity for the arts

Deadline:  May 31, 2012.  Please send a copy of your CV, a short letter of motivation outlining which discipline or disciplines of the arts you are interested in, as well as two examples of your arts writing that are longer than 500 words. Please title your mail: Mentorship programme application. Send your applications or any queries to mary@plotbeep.co.za or criticsassoc@gmail.com

Jazz Criticism Workshop

A Jazz Criticism Writing Workshop will form part of the Wale festival at Wits University

Date: Wednesday 9 May
Time: 10h15-12h00
Venue: Room 116 Wits School of the Arts
Convener: Lindelwa Dalamba

Experienced music writers and scholars associated with Wits will discuss the state of the art of music writing in South Africa. They will also conduct a workshop focusing on the techniques of the genre for aspiring writers and students.

For more information visit www.wits.ac.za/wale

Creating a Hub for Arts Writing

A lack of platforms for arts writing and the promotion thereof is one of the biggest complaints that critics and arts commentators have. In a drive to promote our writing and the art of arts writing we would like to exploit existing and accessible platforms, starting with our Facebook page and this blog.

If you write about the arts for a newspaper, magazine, online publication or blog and would like to promote your work please post a link to that work on our Facebook Page here. You need to be a member to do this so if you are not a member please request to be one on our Facebook page or via email by sending a mail to criticsassoc@gmail.com. Stories posted on our Facebook Page will then be picked up and blogged on this website.

ACT gives grant for SAAWCA Mentorship programme

The Arts & Culture Trust (ACT) in association with Nedbank Arts Affinity, announced

eight development grants last week. One of these grants was awarded to the South African Arts Writers & Critics Association’s (SAAWCA), Arts Writers & Critics Mentorship Programme 2012.

The Development Programme is funded by Nedbank Arts Affinity and has been

designed to enhance the continued development of arts and culture in South Africa.

The programme provides support for artistic excellence in creative production, the

development of new South African work, professional development and training for

the youth.

ACT supports the association’s Mentorship Programme with a grant for the development of a young arts writer and critic. The aspiring writer

will spend a month under the guidance of a mentor (of their choice) before attending the National Arts Festival from 29 June to 8 July, where they will be expected to write reviews and interviews under the guidance of a mentor. Reviews and/or interviews will be published either in the Cue Newspaper and/or in other national publications.

Applications for the Mentorship Programme will open shortly. For enquiries e-mail: criticsassoc@gmail.com or mary@plotbeep.co.za

Call for Film Critics

The 5th Talent Campus Durban (20-24 July) will include Talent Press, a mentoring programme for African film critics in collaboration with FIPRESCI and Goethe Institut. Talent Press will publish reviews and reports on the Talent Campus Durban and the festival films and events in general.

Held in co-operation with the Berlinale Talent Campus, and with support from the German Embassy of South Africa, Goethe Institut of South Africa, and the KwaZulu-Natal Department of Economic Development and Tourism. Talent Campus Durban runs from 20 to 24 July. Apart from the main event in Berlin, Talent Campus partnerships also take place at selected festivals in Buenos Aires, Guadalajara, Tokyo and Sarajevo. Opportunities for participating talents are enhanced through Talent Campus networks and the Berlinale's global information platform.

Application is open to filmmakers and critics who are resident in Africa. Applicants are encouraged to apply well before the deadline of 15 March in order to submit their work samples timeously.

Visit www.cca.ukzn.ac.za or www.berlinale-talentcampus.de for submission regulations.

The 33rd Durban International Film Festival takes place from 21 to 29 July. The DIFF is organised by the Centre for Creative Arts (University of KwaZulu-Natal) with principal funding from the National Lottery Distribution Trust Fund and support from the National Film and Video Foundation, the KwaZulu-Natal Department of Economic Development and Tourism, and the City of Durban. Durban FilmMart is a partnership project between the Durban Film Office and the Durban International Film Festival.

For DIFF and Talent Campus Queries contact 031 260 1650 / 2506. E-mail both: Talent.Durban@gmail.com / talent@ukzn.ac.za. Website: www.cca.ukzn.ac.za. Twitter @DIFFest

Dance Writers Workshop - call for participants

Dance Umbrella 2012, presented by Dance Forum, is scheduled to run from February 7 to March 4, 2012 at various Johannesburg venues.

Dance Umbrella is presented in association with the National Lottery Distribution Trust Fund (principal funder),The National Arts Council and the Goethe Institut. Other funding partners include the Embassy of Belgium, Delegation of the Flemish Government, Joburg and Rand Merchant Bank.

Dance Umbrella is well known as a platform for contemporary dance and it goes further to promote this art form with its robust audience development. Nurturing and educating audiences is an essential component in boosting the awareness and appreciation of contemporary dance in South Africa. This is primarily achieved through quality writing or analysis of works in the mainstream press, enabling audiences to better grasp the value of the dance works and helping dancers to develop their craft through critical feedback.


It is for this reason that Dance Umbrella 2012, in partnership with the Goethe Institut, is once again holding an intensive three-day dance writing workshop. The workshop is designed to encourage new or existing arts writers to turn their attention to contemporary dance and give them the tools to confidently critique and engage with it in the mainstream mass media.


The inaugural dance writers workshop took place at Dance Umbrella 2010 and was facilitated by the veteran, award-winning arts journalist Adrienne Sichel.


The 2012 Dance Umbrella dance writers workshop will take place on 9, 10 and 13 February.


It will be facilitated by Mary Corrigall, senior feature writer and arts critic at The Sunday Independent. Corrigall, a respected critic and founder and head of the South African Arts Writers and Critics Association (SAAWCA) has received recognition for her work - in 2007 and 2011 she won the CNN African Journalism award; in 2009 she received the prestigious Thomas Pringle Award for Reviews, and also the Lorenzo Natali Award for Journalism, awarded by the European Commission.



Workshop participants will be given an introduction to theories informing this expression, which will be augmented by mediated discussions with a variety of leading figures in the local dance world, as well as an in-depth analysis of their artistic trajectories. An introduction to performance art will also be included so as to make participants aware of the porous relationship between the visual arts and dance and the conceptualist thrust that defines much contemporary dance work. Putting their newly acquired skills into practice during the 2012 Dance Umbrella, participants will be expected to write reviews of various productions, which may be published in the Mail & Guardian, or for the publications they work for, if they are already members of the press.



The ideal candidates would be arts writers and journalists already working in the mainstream press or niche arts publications who wish to expand their area of arts writing, and arts bloggers or graduates keen on entering the arts/dance writing field.


There are only six places available and those interested in participating are invited to apply. Acceptance will be based on the strength of the writing ability of the applicant, and an interview.


Applications should be emailed to mary@plotbeep.co.za or danceumbrella@artslink.co.za and must include your name, contact details and a biography/CV; a one-page motivation, explaining how you would benefit from the workshop and a sample of writing, preferably on the arts (not less than 500 words).



The closing date for applications is January 12, 2012.



For any further queries or information about the workshop please e-mail mary@plotbeep.co.za or danceumbrella@artslink.co.za.

SAAWCA at Think!Fest, National Arts Festival

Think!Fest: Monday July 4^th: 9:30 – 10:30

From Criticism, to Critique to Criticality: Developing Performatory and Participatory Forms of Criticism

In line with its mandate to discover new forms of criticism the recently established South African Arts Writers & Critics Association (SAAWCA) will present a panel discussion that will review traditional forms of criticism in an effort to identify ways in which the discipline can fulfil a more participatory role in the art-making process. In this way the critics would be positioned as collaborators and criticism would become an extension of artistic expression.  As the boundaries between disciplines have been eroded an opportunity has opened up for critics to (re)conceive of their role within the arts.  

Arts critic, journalist and SAAWCA founder, Mary Corrigall, will be joined by art critic and journalist Sean O’ Toole and Professor Leon de Kock, author, poet, head of English at the University of Stellenbosch and founder of the recently established Stellenbosch Literary Project (SLiP).

Inaugral Discussion Sessions

The South African Arts Writers and Critics Association (SAAWCA) will present its inaugural Discussion Sessions at the Goethe Institut on June 11 from 10am to 2.30pm.

The Discussion Sessions will include the following topics:

1)      Taking the Temperature: The State of Arts Criticism in South Africa

2)      High versus Low: The Impact of Celebrity Culture on Arts Reporting

3)      The Final Frontier: Developing new models of arts criticism and reporting for the internet 

Among the panellists and chairs presenting at the Discussion Sessions are Robert Greig, Chris Thurman, Brooks Spector, Gwen Ansell, Leon de Kok, Edward Tsumele, Bongani Madondo, Diane Coetzer and Michael Smith. 

The emphasis is on eliciting dialogue among members that will inform the association’s future schemes and agendas.

Where: The Auditorium at the Goethe Institut, 119 Jan Smuts Avenue
Parkwood, Johannesburg. 011-442-3232

RSVP: Please notify SAAWCA of your attendance  criticsassoc@gmail.com